From a social media post from the cowriter of Ms. Warbucks:
Our final resident from the nursing home to introduce…. Ms. Cissy Whipp as…. Mabel! For so many Cissy needs no introduction… as a dancer…
But did you know that the spotlight just follows her around wherever she goes. She is truly a star. A giant in this community, a leader for the modern dance community… her resume is impressive and too long for this introduction! I feel very fortunate to have gotten to know Cissy in this world. Here, we see her continue to push herself, she is vulnerable, connected and living in every moment and you WILL feel it. She is truly a triple threat♥️.

From an article in The Current, by Catherine Comeaux
What if Little Orphan Annie shook off a lifetime of being little and went big? Writers Caroline Helm Huval and Bonny McDonald answer this question with the musical Ms. Warbucks, playing in June at the Acadiana Center for the Arts.

Directed by Christy Leichty with songs written by Johanna Divine, Chas Justus and Lincoln Landry, the musical follows the adult Ms. Annie Warbucks and a gathering of nursing home residents as they delve into what it means to be forgotten, to forgive and to find a home.

The musical, written a century after Annie’s debut in Harold Gray’s comic strip, is set in 1960s New York City. Ms. Warbucks, played by Huval, has taken the benevolence and the name of her foster father and left behind a century of girlhood — retaining her spunk and humor as she faces issues of abandonment at both ends of life during her visits with Ms. Agatha, the former orphanage director.

The musical has been nearly a decade in the making with collaboration being key to its evolution. Beginning with a question and ending with a couple of romping hours of entertainment in response, Ms. Warbucks uses local talent and arts infrastructure to bring quality theater to Lafayette.

Huval, enamored with Annie since she saw the 1982 movie based on the Broadway hit, had theatrical aspirations to be Annie in her high school’s musical. Despite the setback of being cast as the bossy Pepper instead, her obsession grew. In 2015, while visiting a nursing home in her capacity as a social worker, she envisioned the residents singing “It’s A Hard Knock Life” which set her creative mind to persistently asking, “What ever happened to Annie?!”

That question became the inspiration for the musical as she began convening a group of professional artists and supportive friends to realize the vision. With a dual career in social work and performance, Huval recognized from the beginning the necessity of paying the artists involved. Supporters agreed and invested in the production, which met its fundraising goal within the first month of setting it.

Embodying our Voices: Telling our Stories Through Words and Movement

Embodying Our Voices is a partnership between Mary Francis “Cissy” Whipp and Lafayette Council on Aging’s Director of Programs Clare L. Martin, both teaching artists who aspire to enliven and enrich the lives of a select population of seniors aged 60 and older. Their collaborative effort will explore the relationship between language arts and adaptive dance enhanced with theatre elements, so that the seniors can write, share, perform, and celebrate their personal life stories. The project is sponsored by Lafayette Council on Aging, the Louisiana Office of Cultural Development: Division of the Arts, and the Acadiana Center for the Arts.

The project will include hands-on, skilled based, and sequential life writing sessions, storytelling instruction, creative movement, and theatre practices in a series of eight workshops at Lafayette Council on Aging’s Carencro Senior Center, weekly, beginning in February 2023 and concluding at the end of March 2023. The project will culminate with a performance and a brief reception open to friends, family, and the public on March 27th, 2023, from 10 a.m. – noon at the Carencro Senior Center, which will be documented by photographer Philip Gould.

Just Released!
So You Think You Know Dance is an OER (Open Educational Resource) commissioned by the Louisiana Board of Regents' Affordable Learning Program. I am a member of a four person team of dance writers to create this Dance Appreciation online course and book. It will be piloted in high schools and colleges around the state for the 2022-2023 school year. I'm very proud of what we have put together! Check it out here: louis.pressbooks.pub/danceappreciation/

Austin Peay's Center of Excellence for the Creative Arts hosted a workshop for teachers followed by classroom residencies.

Check out my interview
A Few Minutes with Cissy Whipp

I have been honored as the Dance Educator of the Year for Louisiana. Thanks to those who nominated me and wrote glowing letters of support!
Check out the story:
Cissy Whipp: The Epitome of a Dance Educator

I am proud to be on a team of artists and educators that comprise Louisiana A+ Schools. It is a research-based whole school network with a mission of nurturing creativity in every learner through an arts-integrated school network. It is a creation of and funded by the George Rodrigue Foundation. (See www.rodriguefoundation.org/about)
For more information on LA A+ Schools: www.aplusla.org/

During the filming of a documentary on the Art TIME grant and its use of Kennedy Center's Arts Integration strategies, the crew came by my classroom at J. W. James Elementary. You can see clips of my kindergarten students learning about dance elements and applying that knowledge to creating a dance about the Caterpillar to Butterfly Cycle.
arttimeinacadiana.com/ Art TIME in Acadiana|

My 4th grade dancers will be performing our original version of The Firebird Ballet in Acadiana Symphony Orchestra's educational concert, Link Up, on January 27 at the Heymann Center for Performing Arts. How many 10 year olds get to perform with a live orchestra? I am so proud!
Check out this magazine article:
Overture Magazine

The November issue of Overture: Acadiana's Publication for the Arts has a feature on my work as a teaching artist at JW James Elementary Arts Academy. Check it out: issuu.com/overture_acadiana/docs/overtu…

I am the new Dance Education Chair for the Louisiana Association of Health, Physical Education, Recreation, and Dance (LAHPERD.) My goal is to create a better network of dance educators in our state to dialogue about common issues we face when teaching the art of dance in a school setting.

We invite you to experience Artech Fusion 14, a program that promotes and highlights the dynamic relationship between arts and technology. Our unique program includes performances, presentations and installations that resonate within the intersection of Art and Technology. This year we will introduce work that ranges about talk about Big Data and Virtual Reality to premier performances featuring music, dance, theater, poetry and animation. Former Dance faculty member Cissy Whipp is reconstructing her 2001 performance piece, Eye of the Blackbird. The dance is a collaboration between choreographer Whipp, composer Danny DeVillier, and visual artist Steven Breaux who created the animated film that interracts with the dancers.
Artech Fusion is the kickoff event for the week long Festival of the Arts that occurs around campus and downtown including lectures, theater, opera, demonstrations, and even a fashion show. - See more at: www.louisiana.edu/news-events/events/20…

COUNT ON IT: CONNECTING CREATIVE MOVEMENT TO CORE MATH CONCEPTS
This workshop helps to reinforce Core Math Concepts with a kinesthetic approach that calls upon multiple modalities to accommodate a variety of learning styles. It explores classroom tested creative movement/dance activities integrated into the elementary math curriculum. Participants will learn movement strategies and classroom management techniques while gaining an understanding of elements of dance as an art form. By using one’s body as a math manipulative, participants learn to apply principles of design to the shapes and patterns as they create math dances. Using active learning helps focus students while developing teamwork, social skills and higher order thinking. This is a stimulating way to actively work on important skills at the elementary level.
I piloted it this summer for the ArtTIME Summer Professional Development Institute and got a great response from teachers. I am adding some ideas to make it more accessible to Kindergarten teachers and will have it ready for the new school year. I am presented it again at Acadiana Center for the Arts on November 12.

I have been working as the full time Dance Artist at J Wallace James Elementary Arts & Technology School since 2002. I am revising the scope & sequence of dance curriculum and aligning it with the new Common Core Arts Standards. This is an exciting time for us in the arts.